This was where I stayed. Shame I didn’t have either of my 19th C costumes with me, quite frankly.
I need very little excuse to go to Edinburgh. I love it. I love it because it’s got loads of old stuff, it reminds me a bit of Granada (the old town with a castle on the hill, the new bits cascading away beside), and it is stuffed full of history, much of it involving coffins. And it’s quite a cheerful place, too.
My hotel was almost opposite Old Calton cemetery.
I had never been to a Crime Writers’ Association (CWA) conference before. In fact, I’d never been to weekend-long writers’ conference before, so I wasn’t entirely sure what to expect. I needn’t have worried, however, as everyone was really friendly.
I met up with Sarah Ward, who I’ve met before as she’s convener for the Midlands Chapter of the CWA, and is also great fun. I met for the first time the extremely affable Vanessa Robertson, an Edinburgh-based bookseller and author; and authors Leigh Russell, Kate Ellis and Paul Gitsham. And lots of other people too!
I’ve been rather busy over the last couple of months, zipping off to the Essex Book Festival for the Criminally Good Afternoon Tea, zooming off to the NEC for Who Do You Think You Are? Live, and then getting drunk in Edinburgh at the Crime Writers’ Association conference.
I was at Who Do You Think You Are? Live on two days. The first, I was dressed as Helen Barrell, the librarian who writes books about Victorian crime. I signed copies of Poison Panic at Pen & Sword’s stall, bought some acid-free storage equipment (that excited me quite a bit, because I am a massive nerd), and went my rounds of the stalls. Thanks to the good people of Peterborough & District Family History Society, I discovered two new ancestors – the parents of my 4 x gt-grandmother Susan Jones. I never thought I’d get anywhere with her background, assuming that anyone called Jones would present insurmountable problems. But no – her surname was actually quite unusual in Peterborough at the time, and I was delighted to find out that Susan, who was born in about 1813, was the daughter of a farrier in the Scots Greys! Did he go to Waterloo, I wonder, and did he shoe Ensign Ewart’s horse? I helped out at the “Ask an Expert” stall – I’ve always loved pointing people in the right direction to find out more about their family tree.
“They’ve found another body? Fetch my test-tubes and don’t spare the horses!”
It’s a week until Britain’s biggest family history fair, Who Do You Think You Are? Live, kicks off at Birmingham’s NEC.
There’s a wealth of family history societies, genealogy companies, and DNA-testing businesses hoping to catch your eye, and there lots of talks and workshops and goodness knows what else for you to sample.
If you’re planning to seek out some help with the trickier corners of your family tree, make sure you bring print-outs or even original documents.
I’ll be there on two days.
Friday 7th April
- 2.20pm – 3pm: I will be giving two “Ask an Expert” sessions. My areas are old handwriting, wills and (no surprises here) Essex!
- (And when not doing that I’ll be buying archival storage materials and checking out the CDs that the family history societies have to offer)
Saturday 8th April
- 11.15am-12pm: my workshop session Turn your family tree surprises into a book will be taking place in Theatre 2. I’ll be talking about resources you can use to enrich your research, and the many way there are to share your writing.
- 12pm-2.30pm: I’ll be at the Pen & Sword stall (number 290), where you can ask questions about my talk, and… well… let’s just say there’s books available to buy. Lots of them.
- 3pm-4pm: I’ll be giving three “Ask an Expert” sessions.
Sunday 9th April
- Collapse into an exhausted heap.
In the 1950s, my grandad was a Special Constable, working the streets of Southend-on-Sea. He told me that he’d often be approached (perhaps “set upon” is more accurate) by gangs of drunken women, and when he came home from his shift, my grandma would be furious at the lipstick he was covered in. Drunks are one thing, of course – poisoners quite something else, and that was my subject for the Essex Book Festival’s Criminally Good Afternoon Tea at Southend’s Park Inn Palace Hotel.
The tea was part of the Golden Age of Crime Weekend, so you could stay in the elegant Park Inn Palace, overlooking the longest pleasure pier in the world and, amongst many things, you could enjoy a talk by Sophia Hannah on Poirot, there was Simon Brett, Frances Fyfield, and Jill Paton Walsh discussing Dorothy Sayers, you could pit your wits against other Golden Age of Crime boffins at the quiz night, and new crime writers (Fiona Cummins, Aga Lesiewicz, David Young) were talking about their books. And there was also… me.
I’d seen the trailers – this Brontë biopic promised an accurately short Charlotte, and an Emily who doled out physical violence when enraged that her poems were read without her permission. This is the version of the Brontës that seems most plausible to me, and when the warning came up on iPlayer – Guidance: Contains some strong language and some scenes which some viewers may find upsetting – recommending it for viewers of 16 and over, I was hopping up and down on my sofa with glee.
I have to say, it didn’t disappoint. Continue reading
The River Colne at Wivenhoe. 19th century.
You will go to the devil, die when you will, you will go to a rare place when you die.
I’ve always written fiction, so being commissioned to write non-fiction has been quite… surprising. But in a good way.
The trouble is that all the research that went into Poison Panic and Fatal Evidence stoked my fiction-writing brain-muscles. For the whole time that I’ve been writing those books, stories and characters began to take shape. It’s a bit like watching a candyfloss machine – the sugar spins round the stick, and what was air and granules becomes a novel.
Initially, it was a short story based on suspected poisoner Mary May. There was going to be a detective sent up from Scotland Yard, there was going to be a plucky governess, there was a to-do with some bottles, and there was a blacksmith…. And I wrote a tense dinner scene, and had no time to write more. So I carried on with my non-fiction and started work on the biography of Victorian forensic scientist Alfred Swaine Taylor. And Taylor decided to nose his way into my fiction. He wanted to be in a novel. He demanded it. I told him this was churlish behaviour, considering R. Austin Freeman had already based his detective Dr Thorndyke on him. But Taylor wouldn’t leave me be, so I let him wander about at will. But all he did was stalk back and forth past a flimsy theatre set of a north Essex village; a flint-covered church and a timber-framed pub. He didn’t look very pleased. I wasn’t either.
But it was a documentary about Scottish crime writer William McIlvanney, father of “Tartan Noir”, which helped me see the light. The setting for his gritty tales were the shipyards on the Clyde. And there was a shipyard and a dock where I grew up. In fact, if it wasn’t for that shipyard, I wouldn’t exist: some of my family only moved to Wivenhoe, a village on the River Colne in Essex, to work on the shipyard.
I’m not enough of a daftie to claim that the Colne and the Clyde are interchangeable, but that idea of the crime novel and the river, the shipyard and the dock was the moment that the vague, floating idea was forced into sharp focus.
Sunday 12th March 2017, 3pm-4.30pm
What: Essex Book Festival 2017. Criminally Good Afternoon Tea. In the county where the poison panic took hold, we’ll eat scones and I’ll tell you about the lives of Sarah Chesham, Mary May, and Hannah Southgate.
Where: Park Inn Palace Hotel, Church Road, Southend-on- Sea, SS1 2AL
Entry fee: TBC. Booking details to follow.
Saturday 8th April 2017, 11.15am-12pm
What: Who Do You Think You Are? Live. Workshop: “Turn your family tree surprises into a book.”
Where: NEC, Birmingham.
Entry fee: Workshops are £2 in advance, or £3 on the day. There is a ticket required to enter Who Do You Think You Are? Live as well. Book in advance.
Hans Rosenfeldt (The Bridge) and Ed Thomas (Hinterland)
A perfect chaser for the talk by Walter Iuozzolino, he of Walter Presents, had to be the talk given by crime drama writer-creators Hans Rosenfeldt, of Swedish/Danish production The Bridge (Bron/Broen), and Ed Thomas, writer-creator of Welsh/English crime drama Hinterland (Y Gwyll). Walter curates subtitled drama, but what goes into writing – and indeed, creating – dramas which are filmed in two languages? This fascinating talk was hosted by Lisa Holdsworth, who has written for New Tricks, Robin Hood and Midsomer Murders, amongst others.
The annual Birmingham Literature Festival is run by Writing West Midlands, offering a programme of events about the written word – talks with writers, and workshops. This year, I attended something a bit different – a talk by screen-curator, Walter Iuzzolino, the real person behind Channel 4’s Walter Presents.
First of all, yes, Walter is a real person. Perhaps I am so jaded by the fakery of modern life that I thought, cynically, that he didn’t actually exist, and was just a marketing construct to put a human face and personality on Channel 4’s world drama picks. There he is in the trailer, a bespectacled, whippet-like figure, watching lots of DVDs – he’s watched 1,000s of hours of telly, to pick only the best for Walter Presents. But how can he watch all that telly and retain a physique like that? And yet, it slowly dawned on me that Walter is a real person – so when I found out he was talking at the BLF, I wanted to know more.
One day, Rebecca Rideal wrote a history book, intended for the general, non-academic reader. You know the type – the sort of person who is interested in history, wants to know about the world they live in and what shaped it, but doesn’t want, isn’t interested in, perhaps hasn’t had the sort of education where they can handle, a dry academic monograph. We should be glad – after all, back in January, we were told that ‘Popular history writing remains a male preserve.’ Good ol’ Rebecca, doing her bit to redress the gender imbalance!
Rideal was interviewed in The Guardian, and The Guardian pulled out some exciting-sounding quotes, because, well, it’s a newspaper, and that’s what they do. Especially now that online newspapers are obsessed with lacing their bylines with as much clickbait as possible. ‘The time of the grand histories is coming to an end,’ Rideal declared. It’s a headline that makes people sit up and take notice, and sit up and take notice, they most certainly did! The Guardian is no doubt raking in much advertising from Rideal’s interview, but unfortunately for Rideal…. well…. Some people on Twitter got upset.