Meet crime authors from across the country at Shrewsbury Waterstone’s on Sunday 15th April from 2pm to 3.30pm. The branch is expanding its Crime Section, so to celebrate they have joined forces with the Crime Writers’ Association to bring you this Meet the Author speed-dating event. There’ll be fiction and true crime, an opportunity to talk to authors – and, of course, buy books.
Come and say hello! I will be in attendance with the shade of Alfred Swaine Taylor, whose most famous case – that of William Palmer, The Rugeley Poisoner – started with a poisoning in a Shrewsbury hostelry.
Find Shrewsbury Waterstone’s at 18-19 High Street, Shrewsbury, Shropshire, SY1 1SJ.
Hans Rosenfeldt (The Bridge) and Ed Thomas (Hinterland)
A perfect chaser for the talk by Walter Iuozzolino, he of Walter Presents, had to be the talk given by crime drama writer-creators Hans Rosenfeldt, of Swedish/Danish production The Bridge (Bron/Broen), and Ed Thomas, writer-creator of Welsh/English crime drama Hinterland (Y Gwyll). Walter curates subtitled drama, but what goes into writing – and indeed, creating – dramas which are filmed in two languages? This fascinating talk was hosted by Lisa Holdsworth, who has written for New Tricks, Robin Hood and Midsomer Murders, amongst others.
One day, Rebecca Rideal wrote a history book, intended for the general, non-academic reader. You know the type – the sort of person who is interested in history, wants to know about the world they live in and what shaped it, but doesn’t want, isn’t interested in, perhaps hasn’t had the sort of education where they can handle, a dry academic monograph. We should be glad – after all, back in January, we were told that ‘Popular history writing remains a male preserve.’ Good ol’ Rebecca, doing her bit to redress the gender imbalance!
Rideal was interviewed in The Guardian, and The Guardian pulled out some exciting-sounding quotes, because, well, it’s a newspaper, and that’s what they do. Especially now that online newspapers are obsessed with lacing their bylines with as much clickbait as possible. ‘The time of the grand histories is coming to an end,’ Rideal declared. It’s a headline that makes people sit up and take notice, and sit up and take notice, they most certainly did! The Guardian is no doubt raking in much advertising from Rideal’s interview, but unfortunately for Rideal…. well…. Some people on Twitter got upset.
Helen went to Waterstones
Today, I went to Waterstones in Birmingham and saw Poison Panic on the shelf. It was my book! In a book shop! Not only does my book exist, but… it was on a bookshelf! In a shop! So I paused by it, and posed in an awkward fashion, with Tom Hardy’s naked torso just out of shot above my head, Ian Brady leering into the side of the picture, and PD James (gawd bless ‘er) just lurking beneath.
My book. Hurrah! There were more copies on the other shelf. Thanks to the combined forces of coincidence, my surname, and the alphabet, Poison Panic sits next to a book on the Hell’s Angels, written by the bloke who gave Lee Marvin the stripey T-shirt he wore in The Wild One. So I’ve been told.
Appropriately, perhaps, another poisoner can be found beside my Essex ladies – Carol Baxter’s The Peculiar Case of the Electric Constable, on Tawell, the “Kwaker”, accused of murdering his mistress with prussic acid. He was caught when the police chased him down using the telegraph, after Tawell had escaped by train. There wasn’t a letter Q on it, hence they spelt Quaker “Kwaker”. You’ll meet him in Fatal Evidence – although Professor Taylor wasn’t an expert witness at the trial, one of his books was. Had there been Waterstone’s in the 1800s, I’m sure Taylor would have stood by his tomes on the shelves too, and asked someone to do a quick sketch as cameras weren’t too quick back then.
And so that’s what I did on Saturday.
Arsenic, arson, Bulwer-Lytton….
Apart from the obvious difference between fiction and non-fiction – one’s pretend and the other isn’t (more or less) – a non-fiction text should have an index. Indices are awesome, a handy way to zip around a book without having to wade through the entire tome, but have you ever stopped to wonder what compiling an index involves?
This is something I have been wondering since I started work on Poison Panic, for the simple reason that my book would need an index. Gulp.
A scribble of writers?
Writing can be a lonely endeavour, so it’s great that there’s ways for us to meet up. There’s local groups, or there’s associations and organisations you can join, depending on what genre you write in. As I write historical crime and fiction with a romantic twist, I’ve joined the Historical Writers’ Association, I plan to join the Crime Writers’ Association, and I hope one day to join the Romantic Novelists’ Association (RNA).
I have to say that the RNA are one of the most active (and pro-active), friendly and welcoming groups you could ever wish for. You don’t even have to be a member to attend some of their events. I have been to several lunch meet-ups with the ladies (and a bloke!) and on Saturday, I was one of the presenters at the Birmingham Chapter’s Writers Day. Held in the rather grand environs of the Radisson Blu on Holloway Head, this was a full day with five speakers and opportunities to mingle – and sell books! I think everyone learnt something, be it about planning, revisions, marketing and social media, and how to publish short stories.
Just last week, I was giving a talk about ‘Social media for authors’ at Book to the Future – the University of Birmingham’s literature festival. I do social media as part of my day job, and I do it for fun out of hours. I used to do it as part of running my vintage clothing shop, and I do it now for my genealogy website, Essex & Suffolk Surnames.